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| 1422: The Cathedral of St Paul, St Paul, Minnesota, USA | |||||||||||||||||||||||||||||||||||||||||||
| Other reports | Comment on this report | |||||||||||||||||||||||||||||||||||||||||||
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| Mystery Worshipper: Forradal. |
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What was the name of the service? Mass. How full was the building? The building was approximately 30 percent full as mass began. Worshipers continued to drift in for an additional 30 minutes! By the end of the sermon the cathedral was about half occupied. One wonders if this also happens at the nearby arena during professional sports events. The front pews tended to be occupied by older folks, while the young crowd sat toward the rear. I likewise took a rear seat although agewise I belonged closer up front. Did anyone welcome you personally? I arrived early and was not welcomed by anyone, nor did I notice anyone welcoming the later arrivals. The worship material was obtained from a table in the narthex. I was early enough that I had plenty of time before mass for a self guided tour of the cathedral. The size of the building is awesome, but also creates a sense of anonymity amongst the worshipers. Was your pew comfortable? I am not an overly lanky guy, but I found the pew to be short for both sitting and kneeling. I had quite a bit of difficulty maintaining my balance during the kneeling portions of the mass; even half sitting-half kneeling didn’t work well. Admittedly, when the building was designed, the average height of a man was well under six feet. How would you describe the pre-service atmosphere? The gospel for the day was the parable of the prodigal son, and the organ prelude was The Prodigal Son, composed by James Biery, director of music at the cathedral. Unfortunately the cathedral's acoustics enabled three fussing babies to sound like a special infant chorus that drowned out the Æolian-Skinner gallery organ. What were the exact opening words of the service? "Rejoice, O Jerusalem, and come together all you that love her," from the introit for the day (formerly known as Laetare Sunday, from the Latin word for rejoice). This was followed by the processional hymn, "The King of love my Shepherd is." What books did the congregation use during the service? A very well designed service bulletin, with notations for the hymn numbers, the musical line for the chanted responses, and the rubrics of the mass. All church bulletins should follow this example! There was also a hymnal, but sadly I neglected to jot down the title. What musical instruments were played? The cathedral holds two organs: one in the sanctuary and another in the gallery. The two manual sanctuary organ, a 1927 Ernest M. Skinner instrument, is voiced closer to the romantic style, most likely designed to accompany the choirs during the Latin rite mass. Listening to the Latin rite Gregorian chant reverberating across the expanse of this building was, no doubt, a wonderfully sublime experience. The three manual 1963 Æolian-Skinner gallery organ, voiced closer to the classic style, was used at this mass. It is somewhat small for a building this size, but is voiced well and was played expertly. Congregational singing simply wasn’t envisioned when this cathedral was designed, so the liturgy and hymns were sung s-l-o-w-l-y and reverentially. This pace is simply a fact of life in a large reverberant building. Did anything distract you? The spoken word was often lost in the reverberation. Add a few crying babies – well, you get the point! And… 30 minutes late for mass? Was the worship stiff-upper-lip, happy clappy, or what? The mass was formal and reverential without being austere and cold. There was incense, but not many bells and whistles, as befits Lent. The clergy did not rush through the liturgy; the mass was devout and very meditative. But only about one-quarter of the congregation participated in the singing. Interestingly, no bulletin or spoken references suggested “Catholics only” during communion. (But not being Catholic, I did not partake.) Exactly how long was the sermon? 13 minutes. On a scale of 1-10, how good was the preacher? 6 I give the priest a 6 for his delivery and sermon material. Due to the acoustics, the spoken word receives a 2. I hope the staff finds a generous benefactor (perhaps a new patron saint!) who will help correct this problem. The priest also used a number of ad libs that didn’t seem to be connected to his message, causing our attention to be momentarily diverted. In a nutshell, what was the sermon about? He drew parallels between the story of the prodigal son and our life as 21st century Christians. In baptism we are joined to Christ, but our sinful nature causes us to rupture and break this holy relationship. In today’s world we sometimes think we are immune from sin – our world is so filled with “stuff and fluff.” We often approach the Christian faith in the same way we review a cafeteria menu – some of this and some of that. However, in confession we are reoriented and refocused in God’s grace and forgiveness. Which part of the service was like being in heaven? The Kyrie was sung without organ – very moving in this building's space. The closing hymn was one of Bach’s chorales, which again in this space sounded wonderful! And which part was like being in... er... the other place? Worshipers 30 minutes late! Was I at church or the train station? What happened when you hung around after the service looking lost? It wasn’t difficult to play the stranger here – just about everyone played that role. It is assumed the cathedral has a core group of active parishioners – with the rest falling into the more traditional “pray and pay” category. In good Christian fashion, just about everyone dashed for the doors before the last chord of the recessional hymn was struck. This was unfortunate because the organist played a wonderfully meditative Max Reger piece for the postlude (Herzlich tut mich verlangen). How would you describe the after-service coffee? None provided for this service and none indicated in the bulletin. How would you feel about making this church your regular (where 10 = ecstatic, 0 = terminal)? 9 for the building, but 4 for the acoustics. Worship in a building of this size can be very inspiring and awesome, but attempting to understand the spoken word must be an advanced art form. I think I would find this frustrating on an every Sunday basis. Did the service make you feel glad to be a Christian? Listening to Bach always makes me happy to be a Christian! Even with the distractions, the worship was devout and meaningful. What one thing will you remember about all this in seven days' time? The a capella Kyrie in the wonderful space of this cathedral. |
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